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It sounds ugly but it works! The corpses deposit is not more or less than a compendium of poses specially adapted to comic. Using the deposit you can plan your cartoons starting from determined poses that you can use how they are, modify for what you need to draw, combine ones with others, amplify, reduce, vary its point of view and of course adapt them to your own characters, expressions and clothing because everything is planted starting from the none defined sketches to be used in any situation. Every week we will be incorporating new classified images and grouped so you can find them easily for the idea you’re looking for. The human figure can adopt thousands of postures and different attitudes and when we work without a model or a copy our mind needs sometimes a shooting mechanism of ideas. An image that suggest us the possibility to create. Starting from there, new alternatives. This process is very used for the publicity creations and it is known by “Brain Storming”. Some of the images you will find in the deposit will also be in the Pages for Training in the way it can help you for your practices and achieve looseness at the moment of using them in your projects. You will also see in Professional Secrets section how these poses adapt between them to achieve new ideas and original focuses. Like you see in Training For Comics all the exercises are connected so you can be relaxed absorbing the progressive way all the teaching. These are some of the groups where week by week will be incorporating new sketches: The mannequin with long arms - The sitting mannequin - The flying mannequin - Two mannequins in scene - Three mannequins in scene - Fights between two -Fights between several - Relaxed postures - Threaten Postures - The mannequin with short arms - The mannequin and sports - The mannequin jumping - Martial Arts - Turns and Contortions - The mannequin in perspective - Run! - Cover! - Scene sequence - Several mannequins in square - The laying mannequin - The bending mannequin - The crouching mannequin - Static Vs. Action - Usual poses - Model poses - Eyes-Mouths - Noses-Hands - etc. IMPORTANT: All the examples have a grid to use as a guide if you need to re dimension the drawing to adapt to your story. Beside the lines of action in shoulders and hip will serve you of great support at the moment of sketching. ![]() The mannequin with long arms The mannequin in action situations using spades, spears, shot guns, rifles, axes, etc...
![]() The mannequin jumping In all good stories of action we can always see the character jumping in several scenes.
![]() Turns and contortions The figure in movement adopts different positions that get away from the relaxed attitudes.
![]() Relaxed Postures Everything isn’t about running, jumping and fighting. To achieve the natural relaxed posture is fundamental.
![]() Two mannequins in scene Several scenes where two character intervene and the possibility of different focuses.
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What you need to grow as an illustrator! Print our pages of practice and do not stop drawing! Is not only knowing how to draw but knowing how to tell the story Practice drawing in 3 difficult stages Take your art to the limit That’s how the experts work Specific themes to improve your technique Train step by step drawing amazing covers and splash pages sounds ugly... but works!
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