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ANYONE CAN DRAW.

Anybody can learn how to draw no matter if female/male or age. First and far from any other concept you need to have the desire and the spark that makes the fire. Second you have to maintain it during a period of time enough to acquire the necessary acknowledgements. And third drawing is a job for a team. There are three members that alone can not obtain great benefits but together are unbeatable. If we achieve that you work together and coordinated, the future as professional illustrators will be assured.
They are: the sight (it gathers information that we need), the brain (it receives the message of the sight to process it), and the pulse (which is trained and is in charge to give form and take it to reality).

The prepared pulse alone isn’t enough, you can probably create a line or a perfect circle, but when the time comes to structure a drawing more or less complex, this gets to be serious.
Ask the pulse to trace a drawing plagued with lines and shapes, and it will do it wonderfully. Then tell the pulse to do it without tracing it and oops! It won’t be the same unless the sight and the brain come to the rescue.

How do you convince the three to work and train together? That is the basic goal of this TRAINING FOR COMICS drawing course.

We always hear: “You have to practice a lot". And it is true. And in reality you practice at first coping examples that we obtain from specially prepared exercises or drawings from famous authors.
A lot of people make the mistake (and really there are a lot) who copy just to copy, drawing with no particular sense and employing great part of their precious time to only obtain having a better pulse at the end of the road leaving behind the two most valuable elements of support which is the sight and the brain.

You have to “know how to copy” to practice.

You have to use the system of “test-error and correction” knowing how to search, how to discover that error and it what way to repair it. This is where the sight and the brain have the major part.
It’s common to observe comicbook artists that at simple view don’t do it bad but maintain themselves always at that level. They don’t advance, don’t grow as artists or they do it at a terribly slow rhythm.

TRAINING FOR COMICS wants to reverse that presenting a new and exclusive training center with all the tools at your reach. After your chores and after drawing all of the things you like, go and get your pencils and come to train with us. Join our community!

What we have done and what we are preparing for the future, we do it with consciousness. Thus, we know what you need to study and practice to grow as an illustrator.

The doors are open, the road is free and now you have the means to achieve it...

We hope sincerely that you can enjoy it!

Lesson 1

The manikin.

Simplified structure for the planting of a human figure. Measurements and proportions.

 

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Lesson 2

The figure in movement.

The action lines, the shoulder lines and the hip lines.

 

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Lesson 3

The figure in movement.

The volume and the point of view.

 

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Lesson 4

The figure in movement.

Standing still and not floating…center of gravity. Weight distribution. Working materials.

 

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Lesson 5

The basic sketch.

Planted and geometric figures. Learning to see. Volume and perimeter. The beginning of the “T”.

 

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Sections Premium Zone

Corrections by E-mail

What you need to grow as an illustrator!

Pages for Training

Print our pages of practice and do not stop drawing!

Storytelling

Is not only knowing how to draw but knowing how to tell the story

Pre-sketches for Practices

Practice drawing in 3 difficult stages

The Explained Exercise

Take your art to the limit

Professional Secrets

That’s how the experts work

Special Class, Today...

Specific themes to improve your technique

Covers

Train step by step drawing amazing covers and splash pages

The Corpses Deposit

sounds ugly... but works!